“These were the first sculptures I ever made — small, improvised structures built in my childhood bedroom, long before I thought of myself as an artist. I didn’t have a plan or any real materials, just a fascination with how forms could connect, balance, and move. I would spend hours building, rearranging, and testing how each shape interacted with the next until they started to feel alive.

Looking back, these early experiments were where everything began. They taught me how to think through making — how repetition, rhythm, and structure could express something wordless. What started as a personal obsession grew into the foundation of my entire practice, the moment I realized that building and exploring form was the thing that made me feel most alive.”