“This period marks the year I decided to step away from the usual path and focus entirely on my own practice. While others continued through school, I rented a studio outside of it and gave myself the time and space to work independently. My only goal was to make as much as I could and learn through the process, just following instinct and persistence.

That year became a full-on experiment in freedom and endurance. Every installation started as a collection of interchangeable parts that could morph infinitely — stacking, twisting, collapsing, or expanding to fill the room in a hundred different ways. The sculptures felt alive, constantly changing with my mood, my energy, and the space itself.

It was a year of isolation, exhaustion, and discovery — but also the most transformative period of my practice. I pushed myself until the sculptures stopped feeling like static objects and started to move like living systems. This was where I began to understand the full potential of scale, rhythm, and repetition — and how much could happen when I trusted myself enough to just keep building.”

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